
Photo Credit: Divine Drummers of Blekete, an Ewe divinity
playing at a ritual in Ghana, West Africa
Foundation Course in African
Music
RHYTHMIC PRINCIPLES
by
C. K. Ladzekpo
"Gbe na dze ga dzi"
"The voice should sound in time"
Rhythm may be defined as the movement in time of individual sounds. In
an Anlo-Ewe sense, however, rhythm is not only
the whole feeling of movement in music, but also the dominant feature
which, along with others, create the transcendent environment (music)
necessary for the vital needs of communal communication and unification.
In this communal view, rhythm provides the regular pulsation or beat which
is the focal point in uniting the energies of the entire community in the
pursuit of their collective destiny.
In another Anlo-Ewe definition, rhythm is an important instructional
medium in the development and reinforcement of the basic Anlo-Ewe mental
and moral consciousness in terms of what is real and important in life,
and how life ought to be lived. In this view, rhythm is the animating and
shaping force or principle that underlies the distinctive quality of
being. Its medium provides the training and the logical means of
subjecting contrasting forces or moments in human existence to human
control. In this world, a good rhythmic sensitivity is very essential and
is the most desired musical skill.
- The Myth of
Cross-Rhythm
The
Structure of African Rhythm
- Beat Schemes
-
- Developmental
Techniques of Cross Rhythms
- Technique of Main
Beat
-
- Main Beat
Schemes
- Measure
Schemes
- Technique of
Composite Rhythm
- Technique of
Polyrhythm
- Cultural
Understanding of Polyrhythm
- Cross-Rhythmic Textures
- Six Against Four Cross
Rhythms
-
- Three Against Four Cross
Rhythms
-
- Eight Beat Scheme
- Rhythmic Frameworks
Exercise
© Copyright 1995 C. K. Ladzekpo
All Rights Reserved
Email Inquiries:
ladzekpo@uclink4.berkeley.edu
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